Peer Learning Workshop 3 in the frame of UP2DANCE
The Peer Learning Workshops are another important part of the realization of the UP2DANCE project - a collaboration between Balletto di Roma (Italy), Derida Dance Center (Bulgaria), Polish Dance Theatre (Poland), ICK Dans Amsterdam (Netherlands), Companhia de Danca de Almada (Portugal) and Magenta Consultoria Projects (Spain), co-funded by the Erasmus+ Program of the European Union.
The “CLASH! When classic and contemporary dance collide and new forms emerge” project will wrap up with the final conference “ The CLASH! project: conclusions as a starting point ” on February 17th at 16:00 (CET) on /http://www.clashproject.eu/ and @clashprojecteu with the participation of the six partners involved in the project co-funded by the Creative Programme of the European Union:
Balletto di Roma (IT)
Sapienza University (IT)
Derida Dance Center/ Art Link Foundation (BG)
Polish Dance Theatre (PL)
420PEOPLE (CZ)
Companhia de Dança de Almada (PT)
With the round tables conducted by Magenta Consultoria Projects and Derida Dance Center, we are happy to announce that this very important milestone, namely, organizing and realizing round tables on the professional roles in dance, has been finished.
The UP2DANCE project continued with the realization of the round tables in Italy, Poland, and Bulgaria.
Launch of the round tables
Following the successful development of a strategy in regards to organizing round tables on the topics of the professional dance profiles, namely Dancer, Dance Teacher, Choreographer, and Rehearsal Director, the realization of the UP2DANCE Project proceeded with their launch.
FRACTUS е визуален танцов пърформанс, в който телата взаимодействат помежду си в определена геометрична структура. В представлението тази вътрешна взаимовръзка се развива многопластово, като изгражда една универсална закономерност в отношенията, която асоциативно повежда зрителя към лично преживяване.
“CLASH! When classic and contemporary dance collides and new forms emerge” came out of a reflection that Balletto di Roma has been pursuing for years about the production and transmission systems of the so-called “classical” and “contemporary” dance. This is a cross-examination of some categories of sense now presumed to be stabilized but still not much outlined in terms of analysis of specific traditions, sharing of choreographic practices and working systems.
